The upper limits still pretty much hold true, but there is no lower limit for height in an Image ID, and SG and FN are no longer portrayed as the only ones that are “very petite” and “very tall,” respectively. So please, do not listen to YouTube videos that try to follow the heavy 80s makeup recommended! Height. David now prescribes the same watercolor technique for everyone, and you work with your bone structure. I don’t think any of us would want to wear 80s makeup, and David doesn’t want that for us either. (This is not something that Kibbe has said, but rather my assumption based on the fact that these IDs once existed, and now do not.) Makeup! There are going to be SGs and FGs, for instance, who are going to be closer to the 50/50 split than before, but still, one of the two will win out. This also has the effect of broadening the descriptions of these IDs, since people who may have been one of these base IDs are now in the Soft or Flamboyant/Dramatic category. So one garment may suit several IDs, but they would all style it differently.Ĭlassic, Gamine, and Natural are no longer given as an Image Identity on their own.Įveryone now is either the Soft or Flamboyant/Dramatic versions of these IDs. Clothing construction now means that clothing also tends to take shape of the body it is on, instead of the other way around. “Flow” or “drape” in a non-stretchy material is very different from a stretchy cotton jersey, for instance. I think this is especially true for anyone who has to accommodate width or curve. In fact, due to these changes in clothing construction, trying to replicate the effects in modern styles might actually not even work. This not only makes it seem like the system is a set of stereotypes you fit into, but, since nearly 35 years have passed since the book’s publication and clothing construction has changed radically, we are not limited to exact styles described in the book. Part of this impression stems from the fact that only selected portions of the book have made it to the internet, primarily the quiz and the descriptions of the Image IDs and their recommendations. David has continued to work and develop his theory since the book came out, so naturally some things have indeed changed: The Clothing Checklist. What he does on Facebook and on his website is painted as something totally different from what he said before. Some people seem to view the book as completely separate from “new” Kibbe, as if what he does on Facebook is totally removed from what he wrote in 1987. Using a blue-light screen protector or a night-shift might make the colours appear warmer.ApKibbe's Metamorphosis | 18 Comments Is Kibbe’s Book Relevant Today? On computer screens colours tend to appear cooler. If you see the colours in person, they might differ from the way they appears on your computer screen. Note: Computer and smart-phone monitors and cameras distort colours. White - cool and bright ( If you are a Warm/True Autumn, your version of white is latte or beige.) Icy Grey & Icy Blue - cool and bright (Warm/True Autumn is warm, golden and bronzy. Warm/True Autumn should avoid colours that are cool or neutral, bright colours as well as colours that are light in value such as:īlack - too deep and too cool for Warm/True Autumn ( If you are a Warm/True Autumn, your version of black is warm medium-dark gray or rich brown.)īright Silver - too bright and too cool (Warm/True Autumn should wear gold instead of silver.) Bright colours overpower Warm/True Autumns, undermine their presence and create a patchy skin structure.Ĭlick for more info on what unflattering colours do to your face. Warm/True Autumn colours are neutral to medium soft. The facial features lack definition.Ĭhroma: Colours that are very bright do not harmonise with Warm/True Autumn. Warm/True Autumn needs a certain level of depth and colours light in value erase Warm/True Autumn faces, create a balloon head effect as well as bubble fish effect on client’s face (see article). on the other end of the spectrum of the value dimension of colour. Value: Colours that are light in value, i.e. Warm/True Autumn colours are not blue based. They also turn their teeth and eye-whites grey-yellow. Cool colours turn Warm/True Autumn faces grey to yellow-grey, take away the spark in their eyes and turn the natural colour of their lips slightly purple-grey (i.e. Warm/True Autumn pigments require warm colours. Hue: Colours that are cool (or neutral cool) are extremely unflattering to Warm/True Autumn complexion. What colours are in disharmony with Warm/True Autumn?
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |